American street artist Mark Jenkins is the name behind the faceless figures popping up in cities around the world. Staged in provocative poses, his startlingly lifelike mannequin art installations are often social critiques meant to challenge the viewer to question their reality and raise social awareness. In what he dubs urban theater, these realistic sculptures provoke an array of reactions that transform his installations into multi-layered performance art.
The Urban Theater is Jenkins’s first monograph. The book “documents a broad spectrum of his compelling, often disturbing street installation art,” as well as viewers’ spontaneous responses and interactions with his interventions.
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