Fringe 3.21 "The Last Sam Weiss" Review

Fringe 3.21 "The Last Sam Weiss" ReviewOnce again, Fringe took my expectations and laughed at them.

I should have known better than to even think of making predictions. Every time I do, they’re proven wrong to the point that I was ashamed that I even made them. The writers of Fringe — the best writers on television — can play me as deftly as a concert pianist can tackle “Chopsticks.” They know what I’m thinking, it seems. And, with “The Last Sam Weiss,” they made sure that in the future, I wouldn’t even think about trying to guess their endgame, because I would just fail miserably.

Where to start? I was absolutely certain that Sam Weiss was one of the First People, and thought that the title “The Last Sam Weiss” implied that he was the last of the First People, and even that he would possibly die (making the title a more forlorn statement). Wrong, wrong wrong. As it turns out, Sam Weiss is just carrying on the family business that his forefathers (all named Sam Weiss) shared as well: figuring out who the First People were and what they had to share. Sure, the revelation left me a little disappointed, but then again, when you take away the shroud of mystery from any enigma, there’s always going to be a little disappointment.

Then there was the entire outcome of Peter in the machine. It sent him to the future? What? I don’t even know where to begin there, or where to even think about continuing. If you, like me, thought that the finale would be an emotional affair during which Peter would get in the machine and choose the fate of the two universes while looking into the eyes of his two Olivias, well that just seems a silly notion now, doesn’t it. No, we’re going to be looking ten years into the (possible) future, complete with receding hairlines and civil warfare that seems almost lovingly from dystopian flicks of the ’80s.

The rest of the episode was actually filled with some pretty poignant character moments, as one can come to expect from the calm-before-the-storm penultimate episodes of any season (for another example, look no further than Wednesday’s episode of Justified, “Reckoning,” which was a surprisingly calm affair that leads into the promisingly titled finale “Bloody Harlan”). The dynamic between Walter and Olivia, though previously explored on the show, was fleshed out into such a quietly loving moment that didn’t change their relationship, but merely strengthened it. Even Astrid, criminally underused throughout the series, had a few really good moments with Walter. They need to up her involvement in season four, because I’m starting to get sick of only seeing glimpses of Jasika Nicole’s fine acting.

And there’s one last mystery that the episode set up but sort of quietly pushed to the side (I have no doubts they’ll bring it back later) — who did Peter think he was? Well, that’s a poor way to put the question; it seems apparent that he thought he was the alternate version of himself, but apparently one that didn’t die in 1985. Was this just Peter’s traumatic experience with the machine, or did he just open up an alternate consciousness of his past self (am I the only one thinking of soul magnets?). Whatever the case, I hope — and am fairly positive — that story will come back again.

All in all, the episode was a killer lead-in to a left-field finale that will probably leave us all in deep thought until September — especially now that we can watch with confidence in knowing this show has a future. And, from looking at this episode, it has a great future. A

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