Stop-motion animation maestro, Henry Selick, is set for what he describes as an “almost a sequel” to his acclaimed film Coraline. This new project, which is based on Neil Gaiman’s book The Ocean at the End of the Lane, has been receiving considerable attention. He mentioned that the novel is held in such high esteem that he regards it as Gaiman’s crowning achievement.
The Project in Development
Selick envisions this film as a companion piece to the modern classic Coraline. In his words, Instead of a child going to this other world with a monstrous mother, it’s a monstrous mother who comes into our world to wreak havoc on a kid’s life.
Armed with a detailed 35-page treatment and extensive artwork, Selick is actively pitching the project around, with particular interest from studios like ShadowMachine, known for their work on Guillermo del Toro’s Pinocchio.
Praise for Laika and Travis Knight
Selick could not speak highly enough of Laika Studios, where he first brought Coraline to life. He even lauded Laika CEO Travis Knight as a genius, saying at a recent panel: Travis is a genius – or he certainly was in his most creative years.
A Fresh Start with The Shadow King
The director also hinted at reviving his previously shelved project, The Shadow King. He plans to release it initially as a graphic novel to ignite interest and serve as proof-of-concept for an eventual film.
A Trip Down Memory Lane
Selick is no stranger to innovation and retrospection. His fascination with films began in his youth, captivated by Ray Harryhausen’s stop-motion sequences. Discussing his influences, Selick shared how those fantastical creatures from movies like Jason And The Argonauts left an indelible mark on him: Those cyclops and dragons and skeletons took a hold of me.
The Power of Stop-Motion Animation
Contrasting CGI’s rise, Selick remains devoted to stop-motion, stating: [Stop-motion] can’t grow old, because it’s already old.
He emphasizes its timeless nature and smaller yet lasting impact, adding: Our films have always had a smaller market, but they last longer.
A Bright Future Ahead?
As he forges ahead with fresh projects grounded in rich storytelling and visual artistry, Henry Selick stands as a testament to the enduring appeal of stop-motion animation. His ability to blend traditional techniques with modern narratives continues to captivate audiences worldwide.
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