William H. Macy expressed strong views on Hollywood’s excessive use of violence during his recent appearance on Brett Goldstein’s Films to Be Buried With podcast.
In this podcast session, Macy argued that cinematic violence has reached a point of diminishing returns, stating,I swear to God, you kill one person, there’s nothing more dramatic than that. You kill 18 people, it’s just porn. The only thing you can do to make that more dramatic is kill 18 more.”
His comments underline a broader sentiment about how repeated violent imagery can desensitize viewers.
Macy was quick to acknowledge the cost of voicing such opinions within the industry, admitting,voicing my opinion regarding the ‘portrayal of violence’ has cost me a lot of work.
His outspoken stance hasn’t gone unnoticed.
Macy Appreciates 1968 Classic
Macy also shared his excitement about joining the legendary Planet of the Apes franchise. Reflecting on the original 1968 film starring Roddy McDowall, he remarked,I saw the Roddy McDowall version, I saw the first one, in the [theaters] when I was young. To be a part of it is really flattering and it’s gratifying.
The latest installment, titled Kingdom of the Planet of the Apes, dives deep into a world where humanity overlaps with advanced primates. According to research material,Noa, brought to life through motion capture by Owen Teague, is a young chimp leader whose journey becomes fraught when his peaceful village falls victim to Proximus, played by Kevin Durand.
Felicity Huffman’s Return
Macy’s support for his wife Felicity Huffman’s return to acting post-scandal was evident. A heartfelt supporter throughout her comeback journey, Macy cheered for Huffman as she resumed her television career in Criminal Minds: Evolution. He shared,I went to visit her on set a couple of times…and she had a great time…I think she did a great job, too…
An Industry Giant Speaks Out
Macy’s candidness sheds light on a larger discourse within Hollywood regarding the portrayal of violence. His insights call for introspection within an industry often driven by sensationalism over substance.
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