Why don’t they make movies like Hit Man anymore? Netflix’s energetic new comedy, directed by Richard Linklater of Boyhood fame, brings a refreshing breath of air to the streaming giant’s catalog. Based on a 2001 Texas Monthly magazine article by Skip Hollandsworth, the film plays out a story that’s both quirky and engaging.
A Unique Blend of Comedy and Crime
Set in New Orleans, Glen Powell takes on the role of Gary Johnson, a professor with a surprising side gig. While he spends his days teaching psychology, he moonlights for the police department as a tech surveillance guru. His gadget prowess unexpectedly leads him into the field as a fake hit man, setting up criminals looking to hire contract killers.
Impressive Performances Elevate the Story
After impressing audiences in Top Gun: Maverick and Anyone But You, Powell seamlessly transforms into the charming and versatile Gary. Alongside him, Adria Arjona delivers a strong performance as a domestic abuse victim who becomes entangled in his deceptive world. Their evolving relationship adds layers of complexity and intrigue to the film.
An Outlier Success at Film Festivals
Despite premiering at the prestigious Venice Film Festival, Hit Man‘s approachable humor has found its niche appeal. Richard Linklater’s direction embraces broad comedy rather than his usual experimental narratives, invoking comparisons to his previous works like School of Rock.
A Breath of Fresh Air Amid Cinema Trends
This 98%-rated gem challenges modern cinematic conventions and reminds viewers that mainstream films can still be fresh and boundary-pushing. As it concludes with a thrilling act of chaos – Powell and Arjona navigating life-and-death stakes – Hit Man manages to feel both nostalgic and contemporary.
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