Mike Flanagan will helm a “radical new take” on The Exorcist for Blumhouse. The creator of popular Netflix horror series including The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher, will write, direct, and produce an all-new story set in The Exorcist universe. In a press release, Blumhouse stresses that the film is not a sequel to 2023’s The Exorcist: Believer.
A Fresh Vision for The Exorcist Universe
The involvement of Flanagan brings a noteworthy shift. His statement encapsulates this excitement: The Exorcist is one of the reasons I became a filmmaker, and it is an honor to have the chance to try something fresh, bold, and terrifying within its universe.
Reuniting with Blumhouse adds another layer of passion since he has crafted some beloved works there.
The Return of Ellen Burstyn
Three new movies in the Exorcist universe are planned with Ellen Burstyn returning to star, as reported by the outlet. Considering her iconic role from the original, her return certainly piques interest for long-time fans.
Financial Gamble with High Stakes
Despite previous attempts to revive the franchise not being smooth sailing—The Exorcist: Believer had a strong opening with $27.2M stateside but couldn’t sustain momentum as expected—this new direction might finally hit the mark. Notably, the $30M production expenditure on Believer doesn’t include backends, which implies significant high-stakes involved.
The Haunting of Hill House as a Benchmark
Netflix’s release of The Haunting of Hill House, based loosely on Shirley Jackson’s novel, illustrates Flanagan’s prowess in transforming sophisticated horror literature into gripping screen tales. The show journeys through timelines, depicting how the house troubles its residents across generations. It stands out for its storytelling finesse and poignant scares.
Not Even the Devil Could Sway Universal and Blumhouse’s Stance
Not even the devil himself could help Universal and Blumhouse this weekend with the opening of The Exorcist: Believer.
This quote reflects the strong critical lens applied to production performance, showcasing market realities cores irrespective of intent. Yet, these ventures keep faith in transforming vision into audience reverence eventually finding focus_on.
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