In The Freshly Cut Grass, there’s a scene that perfectly encapsulates the intricacies and nuances of long-term relationships. Pablo (Joaquín Furriel), a professor at an agronomy college, expresses dissatisfaction with his job, calling it ‘shitty.’ This triggers a cascade of tensions with his wife Carla (Romina Peluffo), who is currently unemployed and up for an interview herself. The moment embodies the passive-aggressive exchanges that can occur in marriage, questioning societal expectations and personal fulfillment.
Director Celina Murga brings her extensive experience to the film, having been recognized for her works like NOBODY’S WATCHING and as First Assistant Director on MOTORCYCLE DIARIES. Murga’s collaboration with Martin Scorsese as executive producer adds a layer of gravitas to the project.
The narrative oscillates between two couples – Pablo and Carla, Natalia (Marina de Tavira) and Hernán (Alfonso Tort). The film explores midlife crises through the lens of infidelity, echoing classic cinematic themes but with a contemporary twist that delves into psychological and emotional turmoil.
Marina de Tavira, previously celebrated for her role in ROMA, shines again in this film. Her performance as Natalia captures the essence of duality: the visible strength and hidden vulnerabilities inherent in marital life,
observed one critic.
The trailer hints at a tale deeply rooted in authenticity. It explores how mundane routines can overshadow love and affection. Adultery serves not just as a plot device but as a window into the characters’ need for validation amidst their midlife malaise.
As described by Alfonso Cuarón, the meticulous casting process involved ‘armies of casting directors’ to reflect authentic experiences. Such dedication is evident in this film where every character’s journey feels credible and resonant.
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