Graham Yost on the Making of Silo and Rebecca Ferguson’s Performance

Apple TV+ has yet another hit with Silo, a complex sci-fi series masterfully created by Graham Yost. Known for his acclaimed work on Band Of Brothers and Justified, Yost brings a unique vision to the post-apocalyptic genre.

The World Inside a Silo

Yost’s adaptation of Hugh Howey’s celebrated Wool novels constructs a world where roughly 10,000 survivors dwell inside a massive Silo. This insular society operates under strict rules where venturing outside means certain death. The show delves into the mysteries of this world through characters like IT clerk Allison (Rashida Jones), Sheriff Holston (David Oyelowo), and generator engineer Juliette (Rebecca Ferguson).

Graham Yost on the Making of Silo and Rebecca Ferguson’s Performance

Rebecca Ferguson’s Role and Impact

Ferguson’s portrayal of Juliette anchors the series. She brings depth to the resourceful engineer who’s thrust into the chaos after the former sheriff’s departure. As Yost notes, Rebecca is fantastic in her role; she’s able to convey so much with so little. Her multifaceted performance has not only solidified her status in the sci-fi community but also made Juliette a compelling lead.

As an executive producer on the show as well, Ferguson played a crucial role both onscreen and offscreen, adding layers of authenticity to her character.

Graham Yost on the Making of Silo and Rebecca Ferguson’s Performance

A Collaborative Effort

The series also benefits from its cast that includes top-notch talents like Tim Robbins, Common, Harriet Walter, Avi Nash, Rick Gomez, and Chinaza Uche. Their collective effort paints a vivid picture of life inside the Silo, enriching the narrative with varied perspectives and performances.

An Intricate Production

The production design stands out with its retro-futuristic aesthetic, blending elements from different eras to create a believable yet otherworldly environment. Director Morten Tyldum, who directed the first three episodes, explained their approach: We spent ten months just figuring out how this world worked, highlighting their dedication to detail.

The decision to avoid modern amenities like elevators or slim computers serves not just aesthetic purposes but aligns with the story’s logic—a society with limited resources adapting what they can.

Filming Set Dynamics

The series’ expansive set required meticulous planning and coordination. Built at an industrial site north of London, it featured intricate alleyways and giant stairways that added to the authenticity. Tyldum shares, You could literally get lost, emphasizing how immersive and elaborate the setting was.

A Challenging Yet Rewarding Process

Shooting sequences involved balancing practical effects with detailed set designs. According to Tyldum, one of his favorite sequences involved Rashida Jones heading outside, evoking genuine reactions from extras who portrayed the deep-set beliefs of silo inhabitants regarding cleaning rituals.

A Promising Future for Silo

With its gripping narrative and stellar performances, Silo offers much more than typical dystopian fiction. The critical acclaim and positive audience responses hint at a promising continuation for this thought-provoking series.

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